Archive for the ‘Audiodrome: Music in Film’ category:
2
wendigo-front
"A reoccurring dream whose images are never far from the surface of the imagination." Michelle DuBucci
2
TheDunwichHorror-front
Baxter’s score veers between kitschy lounge grooves and lush, melodic otherworldliness. Lovecraft never sounded so groovy.
0
hellraiser_front
Coil’s discarded industrial score for Clive Barker’s retina-searing classic, Hellraiser was described as ‘bowel-churning’ by the director.
3
TheStrangeVice-front
Orlandi’s score with erotic undercurrents enhance the dark sexuality of this classic giallo.
1
evildead-front
Discordant, mischievous, intense, and often very, very creepy, LoDuca’s score really captures the spirit of Raimi’s classic ‘nasty.’
0
BladeRunner-front
Vangelis’s effervescent soundscapes effortlessly convey the alienation and longing at the centre of Scott’s classic sci-fi.
2
Coffy-front
Often overshadowed by the likes of Isaac Hayes’ score for Shaft and Curtis Mayfield’s Superfly, Coffy’s evocative score doesn’t receive as much recognition as it should.
3
Dancer-in-the-Dark-front
A musical for people who don’t particularly like musicals, Von Trier’s digicam recalibration of the genre depicts a devastating breakdown of the American Dream.
2
Vertigo-front
Structured around spirals and circles, fulfilment and despair, Herrmann’s score penetrates to the heart of obsession.
0
YourVice-front
Quite untypical of most gialli scores at the time, Nicolai eschews kitschy jazz for stately melancholy.
7
let_the_right_one_in-front
Amidst the icy atmospherics swirl bittersweet themes which highlight the blood-warm, romantically charged heart of the story.
4
devil_in_miss_jones-front
Shuman’s score underpins the downbeat drama and exhibits an emotional depth most untypical of pornography soundtracks.